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Their songs included the crowd favorite “Richard” (as in Nixon), “Readjustment Blues” (a soldier is flummoxed when he sees an anti-war protest) and “The Fat City High School Fight Song,” which begins “Thank god for marijuana, because it’s the cheapest thing to buy.” He and Nivert recorded two albums of playful folk-rock as Fat City, then two more as Bill and Taffy.
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He planned a career in the foreign service, and played music on the side, including benefits for NORML and local free clinics. Yes, “Afternoon Delight,” that 1970s totem, was written by a 1960s hippie.ĭanoff grew up in a working-class New England family, and majored in Chinese at Georgetown, where his classmates included Bill Clinton. Long hair, the counterculture, whatever,” Bill Danoff says. “Afternoon Delight” locates the exact boundary at which America’s Puritan gag reflex kicks in. It remains the dirtiest song ever to top the Billboard Hot 100, precisely because subsequent contenders like “WAP” are so beyond, radio will play only censored, diluted versions.
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What has ever been whiter than “Afternoon Delight”?ĭanoff’s song was a safe, mainstream outlet for the zeitgeist of Roe v. In the Bicentennial year, when the smug celebration of American exceptionalism reached a new peak, they were ready to embrace a song that stood in clear, pale contrast to other hits of the day and affirmed their cultural hegemony. Disco was chiefly Black, Hispanic, and gay, and although the backlash against it didn’t peak until a few years later, by 1976 plenty of straight white people already felt enraged by the ubiquity of dance music. Most of those songs are disco, which celebrated a transgressive attitude towards sex even on record covers.
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In 1973, singer Sylvia Robinson (a canny self-starter who also produced the first hip-hop hit, “Rapper’s Delight,” a few years later) released “Pillow Talk,” a cooing come-on full of moans and ad libs, including “Niiiiice daddy.” Here’s a possibly incomplete list of songs that included the sounds of orgasms: “Tell Me Something Good,” and “Do It (‘Til You’re Satisfied)” in 1974 “Love to Love You Baby,” “Rockin’ Chair,” “I Want’a Do Something Freaky to You,” and “Love Won’t Let Me Wait” in 1975 and in 1976, “More More More” (by Andrea True, an actual porn star), “Love Hangover,” “Tonight’s the Night,” “Could It Be Magic,” and “I Want You.” Long before there was OnlyFans, there was mid-1970s pop radio. Pop music’s response to the sexual liberation of the 1960s was an outbreak of grunting and moaning. The mid-‘70s were full of dirty songs, many of them hits. Taffy Nivert, Danoff’s wisecracking ex-bandmate and ex-wife, told me, “Bill never said, ‘I wanna fuck my baby at noon.’ Because he didn’t say it like that, you can say it was subtle.” Bill Danoff, the Starland Vocal Band mastermind who wrote the song, disagrees with this description.